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Watch Now. From $ on Prime Video. ON DISC. After a threat from the tiger Shere Khan forces him to flee the jungle, a man-cub named Mowgli embarks on a. "The Bare Necessities: The Making of The Jungle Book"; "Disney's Kipling: Walt's Magic Touch On a Literary Classic"; "The Lure of The Jungle Book"; "Mowgli's. The Jungle Book is a American animated musical comedy film produced by Walt Disney Bagheera is pleased with how happy Mowgli now is, but also worries that Mowgli eventually need to return to his own kind. .. In , Disney released a direct to video film entitled The Jungle Book: Mowgli's Story. A new.
If the start taken by The Lion King is any indication, the film can go just about anywhere. However, one thing is for certain that it would enter the Rs crore club in a jiffy. Once that happens, it would be only the second animated movie ever to achieve this feat in India. Considering that the core theme of The Lion King is centered on a father-son tale, it was a great publicity peg to bring in the superstar and his yet unexposed son behind the mic, in an attempt to arise curiosity amongst the audiences. No wonder, the film is seeing good footfall for the Hindi version and that too in the major cities, something that is not usually the case with dubbed films. While one waits to see what he ends up making next, rest assured The Lion King would be one of his biggest successes in India as well as abroad. However, whether the film will go slow after the Rs crore mark or would it go on to chase Rs crore or even the Rs crore milestone is something that would be known only in the second week.
Netflix With Mowgli: Legends of the Jungle you enter a place that's dirtier, darker, steamier and more visceral and raw -- a jungle where danger lurks at every turn.
In Andy Serkis' interpretation of Rudyard Kipling's The Jungle Book -- streaming on Netflix now -- there's nothing charming and whimsical about being a child lost in the animal kingdom. And there's certainly no singing.
It's impossible not to keep comparing Serkis' version of this classic story to Disney's live-action remake of its own animated family favorite. In Disney's remake, the animals are remarkably photo-realistic.
But Serkis is purposefully trying to achieve something entirely different. The motion capture is used to make the animal characters deeper, richer and almost more recognizably human.
This no doubt presents more of a challenge for the actors than straightforward voice work, and as a result the animals are expressive and affecting. They're more well-rounded and relatable than their Disney counterparts, even if they're not as instantly charming.
Christian Bale 's nuanced performance as Bagheera the panther and Benedict Cumberbatch 's ferocity as tiger Shere Khan are standouts that translate particularly powerfully through the performance capture.
The character Baloo, played by Serkis himself, feels slightly like a caricature and overly rough around the edges. The singing, dancing slacker of your Disney memories is gone, which leaves this already dark film sorely lacking any softness or comic relief.
He's not only obsessed with killing the man cub before he grows to be a fire-wielding man, but wants to straight up mutilate him.
Shere Khan taunts Mowgli by repeatedly telling him how he wants to drink his blood--"The man cub's blood will run down my chin! Andy Serkis proves he's not only adept at doing motion-capture, but he's also determined to push the limits of technology to tell a story. He moves the camera in impossible angles, down cliffs and through caves. One highlight of the film involves Mowgli hiding in a lake, before looking up at the surface to find a blood-soaked Khan, as the water he drinks turns crimson red.
Unfortunately, Serkis pushes too far into showing the performances from his cast of A-list actors.
Not only does the CGI often dive into "uncanny valley" territory of real-but-not-quite with the facial animation, but the landscapes look rough at times. The weakest part of Mowgli: Legend of the Jungle is that it must follow the established plot points we already know by heart.
While the tone and some of the characterizations are different enough to justify the retelling, it isn't until the 1-hour mark Mowgli going to the human village that the film finally shines and proves that it has something new to say.
After Mowgli gets to the village, he befriends a British hunter played by Matthew Rhys, who was hired to hunt down Shere Khan. While the rest of the village teaches him about local traditions, dance and food, the hunter teaches him how to throw a knife. While we have seen previous adaptations dealing with Mowgli being a bridge between two world, this film truly shows us both worlds colliding, and how exactly Mowgli connects and saves both.
If only the script had dived into this earlier instead of waiting until the last 40 minutes.
It is baffling that this version of Mowgli: Legend of the Jungle ever got made. It is insane that the film got a PG rating. It is mind-blowing that this is actually getting released. But here we are. This film takes too long to get going, and has some uncanny CGI.