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A story of love, hurt, betrayal and ultimately fate working itself out. Join Now Login. No updraft. When I started to sink, I pushed for altitude that my mind and body told me should be there.
Physics is a bitch. Gravity always wins. My instructor clambered down the slope to me at great personal risk. I climbed out of the wreckage. Are you all right? I had just destroyed his training rig and split his helmet almost in two.
Remember the helmet bounce? Completely destroyed the helmet. His concern was for my well being. I did not have to pay a dime for his equipment. Good man. I had a powerful, good experience. The emotional impact was huge. The joy was very high. I wanted that experience again. I wanted it a lot.
My mind and body remembered every detail of that experience and did everything right to have that experience again. However, conditions had changed.
Failure was inevitable.
The cyclic deteriorating fallacy of personal experience works like this. We seek a result. Three more sell. The rest garner rejections. We would probably look at the other two as well.
Suppose we discover that each story had an unrequited love element, a female protagonist with red hair, and a mountain resort. Well, that one should have the best details for allowing us to sell more since we already did the love, femred, and mountain bit.
It happened during ski season at the mountain resort. So, now we write stories that have love, femreds, winter ski resorts. In the same way that physics is a bitch, underlying principles of story are a bitch. Trial-and-error is biased in favor of the cyclic deteriorating fallacy of personal experience. In the same way making all the same moves in the hang glider resulted in a crash, isolating the apparent patterns of success from successive successful stories will result in a crash.
Unless… We are very clear that the analysis and subsequent attempts to create results must include expansive experimentation based on principles rather than emotional impressions of success or failure.
I call that playful experimentation a. Adding the ceaseless, restless part is the important bit to me. The ceaseless, restless bit means that I must constantly test my world and my boundaries.
Instead, I have bent genres and searched for how one informs another. I have assumed, sometimes incorrectly, that each genre has its own tricks and techniques to teach me.
I have assumed that experimentation across genres would bring me insights and techniques that could not be had as long as I returned to the same hill where I had success and attempted to fly in exactly the same way as when I had that success. To beat the fallacy of cyclic deteriorating personal experience, apply the principle of unsupervised play.
In fact, to keep writing from getting stale, I recommend many of the techniques used by children. In another essay, I describe the parallel play process, which in turn came from the restless, ceaseless experimentation with words and tales and forms and processes.
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Anterograde amnesia: Inability to remember events immediately after a specific point in time. Continuous amnesia: Anterograde amnesia that persists from this specific point to the present. Source amnesia: One can remember something, but cannot recall how that information was learned. Infantile amnesia: The inability to remember the first three years of life , e.
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