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Please enter valid mobile number Password must be of length 6 to 16 characters with at least a letter and a digit. Biography[ edit ] Former residence of Xu Beihong in Nanjing. He began studying classic Chinese works and calligraphy with his father Xu Dazhang at the age of six, and Chinese painting at the age of nine.
In , he moved to Shanghai , where he made a living off commercial and private work. He travelled to Tokyo in to study arts. His travels around Western Europe allowed him to observe and learn Western art techniques.
Xu Beihong still wrote regularly for the Daily University of Peking University that dealt with wider issues then just campus politics. Xu addressed issues of Art and Art History and in a university art journal called Painting Miscellany was published. All the proceeds from these exhibitions went to Chinese people who were suffering as a result of the war. Xu Beihong was a master of both oils and Chinese ink.
Most of his works, however, were in the Chinese traditional style. In his efforts to create a new form of national art, he combined Chinese brush and ink techniques with Western perspective and methods of composition.
He integrated firm and bold brush strokes with the precise delineation of form. As an art teacher, he advocated the subordination of technique to artistic conception and emphasizes the importance of the artist's experiences in life. Of all of the Painters of the modern era, it can be safely said that Xu is the one painter most responsible for the direction taken in the modern Chinese Art world.