Keywords: Poetry, Physical beauty, Potentials. Introduction Parveen Shakir is a great Urdu poet of Pakistan. She is precursor of modern feminist poetry in Urdu. Khushboo Urdu Poetry Book By Parveen Shakir Pdf Free Download. Urdu classic poetry book ' Khusboo by Parveen Shakir read online free. An Urdu poetry book “Inkar” Poet of the book is “Parveen Shakir. Selected ghazals and romance in Urdu pdf. Download links. Download Now · mediafire link.
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Early career[ edit ] Parveen Shakir started writing at a young age, penning both prose and poetry, and contributing columns in Urdu newspapers, and a few articles in English dailies. Initially, she wrote under the pen-name, "Beena". She also held several degrees and another master's degree in banking. The most prominent themes in Shakir's poetry are love, feminism, and social stigmas, though she occasionally wrote on other topics as well. Her work was often based on romanticism , exploring the concepts of love, beauty and their contradictions, and heavily integrated the use of metaphors, similes and personifications. Similarly, she often made use of the Urdu first-person, feminine pronoun in her verses which, though extremely common in prose, was rarely used in poetry, even by female poets, before her.
The most prominent themes in Shakir's poetry are love, feminism, and social stigmas, though she occasionally wrote on other topics as well.
Her work was often based on romanticism , exploring the concepts of love, beauty and their contradictions, and heavily integrated the use of metaphors, similes and personifications.
Similarly, she often made use of the Urdu first-person, feminine pronoun in her verses which, though extremely common in prose, was rarely used in poetry, even by female poets, before her.
Shakir's ghazalyaat are considered "a combination of classical tradition with modern sensitivity",  and mainly deal with the feminine perspective on love and romance, and associated themes such as beauty, intimacy, separation, break-ups, distances, distrust and infidelity and disloyalty.
Most of Shakir's ghazalyaat contain five to ten couplets, often — though not always — inter-related. Parveen Shakir's ghazalyaat heavily rely on metaphors and similes, which are repeatedly and thought-provokingly used to bring force and lyricism in her work.
Other metaphors Shakir commonly uses are titli [butterfly] for a Romeo, badal [cloud] for one's love, baarish [rain] for affection, and andhi [storm] for difficulties.
Some of Parveen Shakir's ghazalyaat or, more specifically, couplets, have gained an iconic status in Urdu literature. One of her most famous couplets if the one given above. Free verse[ edit ] As compared to her ghazalyaat Shakir's free verse is much bolder, and explores social issues and taboos, including gender inequality, discrimination, patriotism, deceit, prostitution, the human psyche, and current affairs.
It is also much more modern and up-to-date. Some of Shakir's ghazalyaat or, all the more particularly, couplets, have picked up a famous status in Urdu writing. One of her most celebrated couplets if the one given above.
Free verse When contrasted with her ghazalyaat Shakir's free verse is much bolder, and investigates social issues and taboos, including sexual orientation disparity, separation, patriotism, double dealing, prostitution, the human mind, and current issues. It is likewise a great deal more present day and up and coming. Shakir is known for having utilized the utilization of popular society references and English words and expressions, that have stirred up with Urdu, in her free verse — a practice that is both for the most part viewed as improper, and scrutinized, in Urdu verse.
A sample is the sonnet Departmental Store Mein [In a Departmental Store], which is named along these lines in spite of the way that there the term 'departmental store' could without much of a stretch have been substituted with its Urdu proportionate, and where words like 'normal pink,' 'hand cream,' "shade," "fragrance" and "pack" are brought into utilization, and references made to beauty care products brands like, Pearl, Revlon, Elizabeth Arden, and Tulip.
Other illustrations are her ballads Ecstasy, Nun and Picnic. Shakir's free verse likewise contains a couple, credited interpreted or propelled works i.
Yeats' Leda and the Swan. Her verse and abstract critics Shakir's verse was generally welcomed, and after her inauspicious passing she is presently viewed as one of the best and "most noticeable" advanced writers Urdu dialect has ever delivered. Hailed as an "awesome poetess," her verse has attracted correlations with that of Iranian artist Forough Farrokhzad, and she is considered among the type of scholars "viewed as pioneers in challenging custom by communicating the "female experience" in Urdu poetry.
A source states, "Parveen Inferable from [her] style and scope of expressions one will be captivated and Another commends "her musical stream and cleaned wording". Abstract figure Iftikhar Arif has lauded Shakir for inspiring "the youthful parcel through her topical assortment and sensible verse," for including "another measurement to the conventional subject of adoration by offering expression to her feelings in a basic and pellucid style," and utilizing an "assortment of words to pass on various considerations with shifting intensities.
Later, she was granted the Pride of Performance, one of Pakistan's most astounding respects in Education Shakir was exceedingly taught.
She got two college degrees, one in English writing and the other in etymology, and acquired MA degrees in the same subjects from the University of Karachi. Family and death Shakir wedded a Pakistani specialist, Syed Naseer Ali, with whom she had a child, Syed Murad Ali—yet the marriage did not keep going long and finished in a separation. On 26 December , Shakir's auto slammed into a transport while she was headed to work in Islamabad.